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Retrospective

I never dared to call myself an artist. Yet, my earliest explorations represent a stream of consciousness that remained attentive to my curiosity and desire for liberation. In the 1980s, I began experimenting with scrap pieces of wood, paper, and cardboard. I discovered Golden Acrylics, which, at that time, there was only one store in the East Village that offered Golden Paints in various acrylic mediums that I experimented with to adhere and infuse objects into my work. I would top off each piece in shellac as a topcoat.

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Discovering acrylics as an adhesive sparked my interest in what I called “functional art”—art I could wear. My first jacket became my initial form of Art-in-Motion, which I started wearing during my punk days at Dancerteria. While attending the Borough of Manhattan Community College, I had the opportunity to take a painting class that introduced me to stretched canvas. This experience allowed me to explore using acrylics like soft pastels, as evident in my Mother Earth Series. However, I lacked the skills to stretch canvas, the resources to purchase canvas, and the proper space and support to explore. As a result, I returned to playing small, eking out small works on wood scraps.

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An Exposition in Meaning Making and Identity- Portland Triage & Intergenerational Healing

My artistic journey took a new turn when I moved toWilliamsburg. Here, I revisited the concept of Art-in-Motion and began collaborating with other artists who shared my vision. This collective exploration of similar concepts introduced me to the world of performance art, a realm where shared creativity was the most affordable way to continue pursuing my artistic endeavors. The power of collaboration was a revelation, fueling my artistic spirit and opening new horizons.

 Womb Dance (Mother Earth Series ]  20x 26 1990- 1993 canvas Acrylic .jpg
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Birth Cycle Dance [Mother Earth Series I] _40 x_30 Acrylic on canvas _90-_93 .JPG
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